
The fascination of 78rpm gramophone records is hardly on the wane, the number of enthusiasts is increasing permanently.
Good that you have found the way to schellack-plattenshop.net. Rummage in our offers, and - maybe - the one or another title will let your mind travel back to your childhood or youth. Or you remind great voices, famous conductors and interesting compositions of the past. Devoid of the shellac record they would be only names and terms without deeper content and significance. Gramophone records are timeless and will exist for decades, when compact disks are destroyed long since.
Emil Berliner
(1851 - 1929)
Berliner's first Grammophon
Barrauds Painting
"His Master's Voice"
Emile Berliner, born in Hanover, Germany, and emigrated to the United States in 1870, applied in the year 1887 for a patent regarding a discoid sound storage medium in which was carved a spiral groove. He called this disk "Schallplatte" himself. A further component was a recording and playing apparat too (the so-called "Coffee mill"), the forerunner of the gramophone.
A grandious marketing effectiveness had a logo which is based on the following story: The English painter Francis Barraud cared about the dog "Nipper" of his late brother. When he played his phonograph at times he could notice regularly that the dog listened attentively ahead the machine. So the idea came to paint this situation. Barraud offered the painting to the "Edison & Bell Phonograph Company", but they refused. Now he went to Berliner's "Gramophone Co." Whose director Owen told him that he was interested if Barraud painted the dog in front of a firm gramophone. In September, 1899 the picture was finished and was bought - together with the slogan "His Master's Voice" for the amount of 100 pounds. No doubt, this logo carried the support of gramophone records enormously, because it stood for high fidelity.
The Crickets - Not fade away / Oh, boy
Edgar Wallace - The man in the ditch
Ernst Busch - Lied der Bergarbeiter / Lied der Arbeitslosen
Ben Berlin - Drei Musketiere / Kiddie Kapers
Dol Dauber - Baletky / V Risi Snu
Barnabas von Geczy mit seinem Orchester - Cuban Serenade / Mexikanische Serenade
Orchestre de Danse Alexander - Le Capitaine Craddock / Aprés L'amour
Franz Schier - Nach jedem Abschied gibt's ein Wiedersehn / Es wärnur halb so schön in Wien
Joe Daniels and His Hot Shots in "Drumnasticks" - Manhattan Maroomba / Busking Around
Karel Vlach - Kdyz nám bývalo sestnáct / Tresnové Kvety
Winifred Atwell - 17th Century Boogie / Stranger in Paradise
Bielefelder Kinderchor - Still, still weil´s Kindlein schlafen will / Auf dem Berge da gehet der Wind
Stan Kenton - Hush-A-Bye / Harlem Nocturne
Winifred Atwell - Cross Hands Boogie / The Black and white Rag
Alfons Fügel - Wie eiskalt ist dies Händchen (Puccini) / Wie sich die Bilder gleichen (Puccini)
Gale Storm - I Hear You Knocking / Never Leave Me
Geschwister Winkler - Wer nennt mir jene Blume / Verlassen, verlassen bin i
Wiener Schrammel Quartett - Wiener Blut / Dorfschwalben aus Oesterreich
De Groot & The Piccadilly Orch. - The Waltz Dream
Herr Schröder - Lebet wohl, ihr schönen Tage / Fahr wohl, ich hatte dich so lieb
Stanley Black - Gaviotta / Siciliano
Franz Baumann - Wilde Rosen und Becherklang / Die Lorelei
Albert Vossen - Fliegende Blätter / Springende Punkte
The Grosvenor Light Opera - The Maid of the Mountains
Wurlitzer-Orgel : Ernst Fischer / Südseenächte - Traum der blauen Nacht von Hawaii
Tempo Terzett - Melodia / Wenn wir heut' Nacht nach Hause geh'n
Orchester des Deutschen Opernhauses, Berlin: Walter Lutze - Der Bajazzo
Polyphon-Orchester - Die Mühle im Schwarzwald / Die Schmiede im Walde