The fascination of 78rpm gramophone records is hardly on the wane, the number of enthusiasts is increasing permanently.
Good that you have found the way to schellack-plattenshop.net. Rummage in our offers, and - maybe - the one or another title will let your mind travel back to your childhood or youth. Or you remind great voices, famous conductors and interesting compositions of the past. Devoid of the shellac record they would be only names and terms without deeper content and significance. Gramophone records are timeless and will exist for decades, when compact disks are destroyed long since.

Emil Berliner
(1851 - 1929)

Berliner's first Grammophon

Barrauds Painting
"His Master's Voice"
Emile Berliner, born in Hanover, Germany, and emigrated to the United States in 1870, applied in the year 1887 for a patent regarding a discoid sound storage medium in which was carved a spiral groove. He called this disk "Schallplatte" himself. A further component was a recording and playing apparat too (the so-called "Coffee mill"), the forerunner of the gramophone.
A grandious marketing effectiveness had a logo which is based on the following story: The English painter Francis Barraud cared about the dog "Nipper" of his late brother. When he played his phonograph at times he could notice regularly that the dog listened attentively ahead the machine. So the idea came to paint this situation. Barraud offered the painting to the "Edison & Bell Phonograph Company", but they refused. Now he went to Berliner's "Gramophone Co." Whose director Owen told him that he was interested if Barraud painted the dog in front of a firm gramophone. In September, 1899 the picture was finished and was bought - together with the slogan "His Master's Voice" for the amount of 100 pounds. No doubt, this logo carried the support of gramophone records enormously, because it stood for high fidelity.

Ernst Busch - Lied der Bergarbeiter / Lied der Arbeitslosen

Chico O`Farill - Flamingo / Carioca

Die singenden Seesterne - In der roten Schaenke von Sansibar / Das Schifferklavier

Weiss Ferdl - Der letzte Münchner Fiaker, Teil 1 /Teil 2

Henry Allen - Feeling Drowsy / Swing Out

Joe Daniels and His Hot Shots in "Drumnasticks" - Manhattan Maroomba / Busking Around

Fred Rauch - Das macht Elisabeth / Zucker Lili

Barnabas von Geczy - Michaela / Car c'est toi que j'aime

George Cates and his Orch. - Moonglow and Theme from "Picnic" / Rio Batucada

Sammy Kaye - There goes that song again / You always hurt the one you love

Blaskapelle, Otto Ebner - Tölzer Schützenmarsch / Gailtaler Jägermarsch

Mantovani - Der Reigen / Agnes Walzer

Lony Kellner und René Carol, Ernst Fischer und seine Solisten - Eine weiße Rose / Heimatglocken

Mario Traversa, Violine mit Orchester Schoener - Im Kerzenschimmer / Menuett

Sergio Bruni - Nun 'a penzo Proprio Cchiu' / Che Suonno

Emmi Leisner - Orpheus und Eurydike

Rudi Schuricke - Auf Wiedersehen, Lucia / Wir seh'n uns wieder

Danny Kaye - Love me do / Ciu ciu bella

The Malcolm Mitchell Trio - Istanbul / False hearted lover

Käthe Hoffmann und Karl Gollé - Holdrioh, liebes Echo / Bäbili

Ilija Livschakoff - Zwei Herzen im 3/4 Takt / Auch du wirst mich einmal betrügen

Ron Goodwin and his Orchestra - Limelight / The Song from Moulin Rouge

Phil Harris Orch. - If You're Ever Down in Texas, Look Me Up / That´s What I Like ´Bout The South
